$20.00
SONGS
Description
for solo piano (2015)
Length 9:04
Performer:
Yegor Shevtsov – Pianist
Recording James Newton – The Manual of Light (2018)
Orenda Records 0057
Copyright © James W. Newton Jr Janew Music 2018
for solo piano (2015)
Length 9:04
Performer:
Yegor Shevtsov – Pianist
Recording James Newton – The Manual of Light (2018)
Orenda Records 0057
Copyright © James W. Newton Jr Janew Music 2018
category: 2010-2019, Scores
score- for String Quartet and Contrabass (2014)
Length 9:14
Recording James Newton – The Manual of Light (2018)
Orenda Records 0057
Performers:
Grant Gershon – Conductor
The Lyris Quartet and Contrabassist Eric Shetzen
Recording James Newton – The Manual of Light (2018)
Orenda Records 0057
Performers:
Grant Gershon – Conductor
category: Scores
for four Solo Voices, Chamber Choir, and Chamber Ensemble (Flute, Clarinet, Violin, Viola, Cello, Bass, Percussion, and Piano.
Length 37:17
category: Scores
Recording James Newton – As The Sound of Many Waters (2000)
New World Records Cat. No. 80579
Performers:
San Francisco Contemporary Music Players:
David Milnes, Conductor
Tod Brody, flute;
William Wohlmacher, clarinet;
Rufus Olivier, bassoon;
Roy Malan, violin;
Stephen Harrison, cello;
Thomas Schultz, piano;
Karen Gottlieb, harp;
Daniel Kennedy, William Winant, percussion.
“A similar integration of sources was to be heard in ‘Violet,’ a septet by the West Coast musician James Newton. Mr. Newton is more widely known as a jazz flutist, and in this piece he takes something, too, from African Pygmy music, but the play of cultures seems to be created by his composition in its own terms. Central to its interior dialogue is a duo of xylophone and marimba, whose fluid, intricate patterning has been almost completely abstracted from any African origin.
From time to time, an idea played by the duo is picked up by a quartet of violin, cello, flute and clarinet and developed by them in a more European style, while a piano plays sometimes with them and sometimes on its own track. The braids of music are beautifully composed and beautifully coupled, and the piece has a very appealing gentle flow.”
Paul Griffiths – New York Times
category: Scores
vocal score with piano accompaniment
Length 37:17
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My music purposely ignores stylistic boundaries to rejoice in the creations of the Holy Spirit
JAMES NEWTON