Welcome to the Solo, Chamber, and Choral Music Page.

  • Free music – In this section, you will find lead sheets, solo flute transcriptions, and some chamber music for students and others.

To purchase James Newton's scores please contact his distributor: Ficks Music Vendors.

For orchestral scores and parts rentals for performances, please contact Janew Music LLLC: info@jamesnewtonmusic.com

  • category: Scores

    Violet

    • Recording James Newton – As The Sound of Many Waters (2000)
      New World Records Cat. No. 80579
      Performers:
      San Francisco Contemporary Music Players:

      David Milnes, Conductor

      Tod Brody, flute;
      William Wohlmacher, clarinet;
      Rufus Olivier, bassoon;
      Roy Malan, violin;
      Stephen Harrison, cello;
      Thomas Schultz, piano;
      Karen Gottlieb, harp;
      Daniel Kennedy, William Winant, percussion.

      “A similar integration of sources was to be heard in ‘Violet,’ a septet by the West Coast musician James Newton. Mr. Newton is more widely known as a jazz flutist, and in this piece he takes something, too, from African Pygmy music, but the play of cultures seems to be created by his composition in its own terms. Central to its interior dialogue is a duo of xylophone and marimba, whose fluid, intricate patterning has been almost completely abstracted from any African origin.

      From time to time, an idea played by the duo is picked up by a quartet of violin, cello, flute and clarinet and developed by them in a more European style, while a piano plays sometimes with them and sometimes on its own track. The braids of music are beautifully composed and beautifully coupled, and the piece has a very appealing gentle flow.”
      Paul Griffiths – New York Times

      >> preview

      Please contact us at info@jamesnewtonmusic.com if you are interested in the score.
    • Violet Album Track Listing >>
  • category: Scores, 2010-2019, Basson

    In A Moment, In The Twinkling of an Eye

    • or Soprano Voice, Clarinet, Bassoon, and Piano (2003-2004)
      Length 19:20
      Performers: 
      Elissa Johnston, Soprano; Gary Bovyer, Clarinet; Julie Feves, Bassoon; Mark Menzies, Piano
      Recording James Newton – Sacred Works (2011)
      New World Records 80704

      >> preview

      Please contact us at info@jamesnewtonmusic.com if you are interested in the score.
    • In A Moment, In The Twinkling of an Eye Album Track Listing >>
      • 1
        In A Moment, In The Twinkling of an Eye
  • category: Scores

    Mass (Choral Version)

    • for four Solo Voices, Chamber Choir, and Chamber Ensemble (Flute, Clarinet, Violin, Viola, Cello, Bass, Percussion, and Piano.
      Length 37:17

      >> preview

      Please contact us at info@jamesnewtonmusic.com if you are interested in the score.
    • Mass (Choral Version) Album Track Listing >>
  • category: Scores

    Mass (Vocal Score)

    • vocal score with piano accompaniment
      Length 37:17

      Please contact us at info@jamesnewtonmusic.com if you are interested in the score.
    • Mass (Vocal Score) Album Track Listing >>
  • category: Scores

    Leave Me Not To Mine Oppressors

    • Leave Me Not To Mine Oppressors Album Track Listing >>
      • 1
        Leave Me Not To Mine Oppressors
  • category: Scores

    Saint Matthew Passion

  • category: 2000-2009, Books

    Daily Focus For The Flute

    $40.00
    • Daily Focus For The Flute Details >>
      • Year
        2006

      Janew Music Publishing is excited to announce the release of James Newton’s Daily Focus For The Flute on December 15, 2006.
      Daily Focus For The Flute contains 21 exercises designed for classical and jazz flutists for the development of tone, finger technique and articulation.

      Dr. Newton stated:
      “One of the goals of Daily Focus For The Flute is to introduce flutists to an approached inspired by scat singing that I use when playing swing articulations on the flute. These exercises unlock some of the mystery around jazz articulation for the flute. Of course, there are many different approaches to swing and its development from early to modern jazz. . .these articulations will present concepts I’ve learned from Buddy Colette, Frank Wess, clarinetist-composer John Carter and others.”

My music purposely ignores stylistic boundaries to rejoice in the creations of the Holy Spirit

JAMES NEWTON

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